We will now continue with the whitening of the sclera (white part of the eye) and lightening the lens. Select the top layer and add the layers together (Command + E). Paste the hair and drag this layer under "Layer 1". Go back to the "Original Layer" and using the Polygonal Lasso Tool select the piece of curly hair hanging over her left cheek and jaw line. Copy and paste this hair and drag this layer on top of "Layer 1". Return to the “Original Layer” and select with the Polygonal Lasso Tool another piece of hair. Repeat this on top of the head and along the hairline / parting. Now paint carefully from top to bottom, along the hair and over the face. Pick a round soft brush of about 65 pixels and set the Opacity at 60%. Set the foreground color to #000000 and the background color to #ffffff. Once you are happy with the positioning of the piece of hair then go to Layer> Layer Mask> Reveal All. Rotate the hair sample with the Free Transform Tool (Command+T) so that it blends well with the rest. Copy (Command+C) and Paste (Command+V) the selected hair just in front of the left ear. Using the Polygonal Lasso Tool select a sample piece of hair. First add together the "Face Layer" and the Original Layer" (Command+E). Click OK.īefore we proceed with retouching the face, we are first going to adjust the hair. We are now finished adjusting the face and hair. Continue until you have done this for the whole forehead. Starting at the left side of the forehead, drag the hair down to the desired level. Place the Forward Warp Tool slightly above the hairline on the forehead. To do this set your brush size at 205 pixels. We do this by dragging down hair from above the forehead. Repeat this step for the left side of the chin and jaw line. Now, using the Forward Warp Tool, drag the bottom of the chin upwards. Do the same with the right side of the face: the cheekbone, cheek and chin. Set your brush size to 110 pixels, place the Forward Warp Tool next to the right side of the forehead, and drag the forehead, bit by bit, to the left. Press and move your mouse gradually over the lower lip to ensure that the volume is spread evenly. To give the lips more volume, place the Bloat Tool (B) on the lower lip. Select the Forward Warp Tool and set your brush size to 55 pixels, place the brush below the left corner of the mouth and drag it up a little. Now set your brush size to 32 pixels and drag the nostril downwards so it appears less sharp. Carefully drag the left nostril to the right. Take the Forward Warp Tool (W), adjust your brush size to 91 pixels and place it next to the left nostril. If you went too far and the result looks rather unnatural, then go to the Reconstruct Tool (R) and correct it. Drag the left eyelid very carefully upwards. ![]() Having done this set your brush size to 75 pixels and go to the Forward Warp Tool (W). Repeat this step for the lens of the right eye. If this does happen, use the Thaw Mask Tool (D) to delete it. Paint very carefully inside the eye, on the lens. To do this set your brush size to 32 pixels and click the Freeze Mask Tool (F). Before re-shaping the eye, we first use the Freeze Mask Tool to protect the lens from distortion. Zoom in 4 times with the Zoom Tool (Z) and use the Hand Tool (H) to move the photo back and forth. Select the "Face Layer" and go to Filter> Liquify (Shift+Command+X). Working with this tool requires some agility, but with patience and perseverance you will definitely get good results. Name this layer "Face".Ī tense moment, as we are about to adapt the face using the Liquefy Tool. Then add the "Clone Layer" and the "Original Layer" together and duplicate the original layer. Now that you are ready, add the "Paint Brush Layer" and the "Clone Layer" (Command+E) together. When you do this keep the opacity low, because you do not want to retrieve too much of the original skin. Do the same for patches of skin where you want to keep the original shine, contours and structure. When you paint the contours of an object set the opacity to 16%, to ensure that everything blends well. Paint the eyes, mouth, nostrils, eyebrows, hair and clothing very carefully using a soft brush (opacity 100%). Now go to Layer> Layer Mask> Reveal All and set the foreground color to #000000. To do this, go to the layers palette and set the opacity at 40%. For an even more beautiful and natural skin effect lower the opacity of the "Paint Brush Layer". Having selected the "Paint Brush Layer" go to Filter> Blur> Gaussian Blur, set the Radius at 6.5 and click OK. Duplicate the "Clone Layer" and name this "Paint Brush". To do this, choose a brush size of 28 to 30 pixels. ![]() In this step we are going to airbrush the skin and use a Layer Mask to retrieve facial contours.
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